SAFE MOB
Choreography and Performance: Milena Stein
“In Safe Mob five dancers and an opera singer explore the deep longing for dissolving in the other and the humor that can appear in disconnection. Moving through different dimensions, through pain, love and blockages they create a togetherness that is tender and imagines community as a place of constant negotiation that is built on vulnerability rather than competition.
Performance and co-creation: Alessandra Grieco, Burcu Bilgic, Evgenia Chetvertkova, Madeline Robertson, Lisa Ströckens (singing)” foto: Matilde Basetti
Berlin, 2025
Choreography and Performance: Milena Stein
“In Safe Mob five dancers and an opera singer explore the deep longing for dissolving in the other and the humor that can appear in disconnection. Moving through different dimensions, through pain, love and blockages they create a togetherness that is tender and imagines community as a place of constant negotiation that is built on vulnerability rather than competition.
Performance and co-creation: Alessandra Grieco, Burcu Bilgic, Evgenia Chetvertkova, Madeline Robertson, Lisa Ströckens (singing)” foto: Matilde Basetti
Berlin, 2025
GAMER
Choreography: Christine Bonansea “GAMER is a choreographic performance piece created by CBC collaborating with a multimedia artistic team that combines various art domains and technology as AI: a series of choreographic scenes including 30 sensors Laser mice robots, bodies, electronic music, 3D digital dreamscape visuals, and light design. The piece plays with spacetime dimensionality, and virtual and real representations using video game culture and archetypes. In a controversial and critical experience, GAMER creates a Hyperreality space to question our sense of reality and perception of the body by using pop culture entertainment and technology.
full video
Choreography: Christine Bonansea “GAMER is a choreographic performance piece created by CBC collaborating with a multimedia artistic team that combines various art domains and technology as AI: a series of choreographic scenes including 30 sensors Laser mice robots, bodies, electronic music, 3D digital dreamscape visuals, and light design. The piece plays with spacetime dimensionality, and virtual and real representations using video game culture and archetypes. In a controversial and critical experience, GAMER creates a Hyperreality space to question our sense of reality and perception of the body by using pop culture entertainment and technology.
full video
Dance Performance: Christine Bonansea Saulut, David Mariano, Reina Tokutake, Evgenia Chetvertkova
LaserRobot Design performance: So Kanno
Music Composition: Nicole Carroll
Video Design: Lucas KuzmaYoann Trellu
Light Design: Asier Solana)”
Berlin, 2022
LaserRobot Design performance: So Kanno
Music Composition: Nicole Carroll
Video Design: Lucas KuzmaYoann Trellu
Light Design: Asier Solana)”
Berlin, 2022
[a]
an exploation on human rights in transboundary languages“The project [a] critically examines the Universal Declaration of Human Rights (UDHR). In a dialogue that transcends languages, countries, and artistic disciplines, the international team examines both the unifying aspects of human rights and the problems they pose.
The project [a] takes the Human Rights Day as an opportunity for its artistic and multi-perspective reconsideration.
Artists from different countries – from both the global south and the global north – create a cross-border dialogue with the artistic media of sound, video, and dance. The sound and video installation uses the UDHR as its text and language material “
Berlin, 2021
Artistic direction: Lutz Gallmeister
Choreography (in Berlin): Ricardo de Paula
Performers (in Berlin)
Evgenia Chetvertkova/ Felix Dompreh/ Kalil Joigny/ Riko Sugama
Choreography (in Berlin): Ricardo de Paula
Performers (in Berlin)
Evgenia Chetvertkova/ Felix Dompreh/ Kalil Joigny/ Riko Sugama
PHYSICAL LANDSCAPE
Choreography: Federica Dauri
“Are the bodies an extraordinary and complex machine that keeps human beings alive and allows them to perform actions, or the vehicle through which they express what they are? Bodies are objects—not only mechanical and not only personal or subjective, but above all social. Bodies are sensitive, they are memory, they are time and flesh, they are material and immaterial. Finally, bodies are also the surface of the indelible signs of the passage of time and the history of each person is inscribed on?”
Larnaca Biennale 2021
Choreography: Federica Dauri
“Are the bodies an extraordinary and complex machine that keeps human beings alive and allows them to perform actions, or the vehicle through which they express what they are? Bodies are objects—not only mechanical and not only personal or subjective, but above all social. Bodies are sensitive, they are memory, they are time and flesh, they are material and immaterial. Finally, bodies are also the surface of the indelible signs of the passage of time and the history of each person is inscribed on?”
Larnaca Biennale 2021
Dancers: Philemon Mukarno, Vassia Zorbali, Eleni Kanavou, Evgenia Chetvertkova, Kyriakos Apostolidis, Rebecca Wijnruit, Styliana Apostolou, Marta Capacciol
Sound composition: Elisa Batti
Photo: Sergio Vaccaro
CUNTethics and SQUATconstellations
Direction and choreography: Yuko Kaseki and Teo Vlad
“An intermedia dance performance reflecting on different levels diverse perspectives of womens reality and stories, dedicated to experimental art as a medium of personal and collective healing.
At the border between East and West, focusing on forgotten and forbidden female stories, a group of Berlin artists and their guests embark on a journey through historical memories of spaces and cultures.
CUNTethics investigates the etymology and interpretation of devaluating names used for the female body and identity, from priestesses, queens, and goddesses to prostitutes, witches and property. SQUATconstellations provides an insight into the past of Berlin as an occupied city and a place of free expression rewriting a framework for future local perspectives.”
Performed in Heizhaus Uferstudios and DOCK 11, Berlin
Berlin, 2020
Direction and choreography: Yuko Kaseki and Teo Vlad
“An intermedia dance performance reflecting on different levels diverse perspectives of womens reality and stories, dedicated to experimental art as a medium of personal and collective healing.
At the border between East and West, focusing on forgotten and forbidden female stories, a group of Berlin artists and their guests embark on a journey through historical memories of spaces and cultures.
CUNTethics investigates the etymology and interpretation of devaluating names used for the female body and identity, from priestesses, queens, and goddesses to prostitutes, witches and property. SQUATconstellations provides an insight into the past of Berlin as an occupied city and a place of free expression rewriting a framework for future local perspectives.”
Performed in Heizhaus Uferstudios and DOCK 11, Berlin
Berlin, 2020
Created by Yuko Kaseki, Teo Vlad, Lea Kieffer, Maco, Lea Marie Uria, Francisca del Bosque Hundido, Evgenia Chetvertkova, Geraldine Mormin, Gabriela Cordovez, Birte Hendriks, Daniel Miranda, Naia Burucoa and other guest artists
Sound: Mieko SuzukiImages: Marcelina Wellmer
video from HEIZHAUS UFERSTUDIOS part 1
video from HEIZHAUS UFERSTUDIOS part 2
video from DOCK11
EXPLOSION
Choreography: Alica Minar
“A dance piece for four dancers in which the humor that arises from the handling of the scenographic material, and the interest in the barely controllable physical energy emerging from anger, unite in a bizarre way and thus create a fairytale-like world of images.
The principle force of this piece is tension. We are going to play with you by diving deep into subjective experiences of strong emotions and then pull you out with humoresque situations keeping you on top of everything that is happening in front of you.
How do we reflect about the fact that we are part of an „angry society“ where violence is part of our daily lives? Through coping with expressive and disturbing, yet captivating scenes, EXPLOSION is triggering the process of spectators inner reflection on the topic. Do you enjoy being angry? Do you find people in amok bizarre or even funny? Do anger and violence scare you? Is it all too much to digest at the same time?”
Berlin, 2020
Choreography: Alica Minar
“A dance piece for four dancers in which the humor that arises from the handling of the scenographic material, and the interest in the barely controllable physical energy emerging from anger, unite in a bizarre way and thus create a fairytale-like world of images.
The principle force of this piece is tension. We are going to play with you by diving deep into subjective experiences of strong emotions and then pull you out with humoresque situations keeping you on top of everything that is happening in front of you.
How do we reflect about the fact that we are part of an „angry society“ where violence is part of our daily lives? Through coping with expressive and disturbing, yet captivating scenes, EXPLOSION is triggering the process of spectators inner reflection on the topic. Do you enjoy being angry? Do you find people in amok bizarre or even funny? Do anger and violence scare you? Is it all too much to digest at the same time?”
Berlin, 2020
MUSIC:Matouš Hej
DANCE:Caroline Alexander, Evgenia Chetvertkova, Lauri Lohi, Xenia Vlachou Kogchylaki
Images by Alicja Hoppel
CELL
Inspired by works of Louise Bourgeois
choreography: Yuko Kaseki
performance: Yuko Kaseki, Vladimir Ermachenkov, Evgenia Chetvertkova, Milya Kashapova, Violetta Morozenko
sound: Eugene Kazakov
light: Elena Perelman
images: Leonid Selemenev, Video: Almira Safi
Moscow, 2016
Inspired by works of Louise Bourgeois
choreography: Yuko Kaseki
performance: Yuko Kaseki, Vladimir Ermachenkov, Evgenia Chetvertkova, Milya Kashapova, Violetta Morozenko
sound: Eugene Kazakov
light: Elena Perelman
images: Leonid Selemenev, Video: Almira Safi
Moscow, 2016
